Post effects such as extra filters, a tremolo and a vintage phaser.A "Freeze" switch which can be used for some creative effect or to transform the effect into a looper with high delay values.A specific "modeling" section giving access to different kind of delay line and saturation colourations, featuring a bitcrusher and a tube preamp simulation.An advanced filtering section including standard lowpass and highpass filters, shelf filters, and the simulation of two famous synthesizer filters (not these ones either, other ones).A spring reverb modeled from a famous tape machine (not that one, another one).An attack control allowing the user to feed the delay line only when the input volume is higher than a given threshold.A modulation section acting on the delay times and the filter cutoff frequencies.Standard delay effects controls such as the delay time in ms and in time subdivisions, the feedback (up to 110 % !), a tap tempo button etc.Three delay modes : single, ping pong and dual / stereo.It can be used as a typical delay for mixing vocals, adding some depth to drums, guitars, synth sounds, but also as a more creative effect, thanks to the attack control, even as a looper thanks to the freeze switch and the very long maximum delay sizes. There is about a 10dB difference between VU and Peak on program material, so allowing for at least a little headroom, -18 works.Īpparently this is because peak will be meaningfully above what the meter shows, so you make the meter artificially high.Spaceship Delay is a delay audio effect featuring classic modern and vintage sounding delays. A VU is a very slow meter, the meters in CEP are instantaneous. Pegged! Calibrate your VU so that at zero VU CEP reads -18. That way the analog clipping and digital clipping occur at similar levels, and 0VU signals will have adequate headroom. A reasonable calibration could be 0VU= -18dB digital FS. Old school analog metering is slow average responding and typically 20dB below analog clipping.
QUIZTONES OSX KVR FULL
What is this for, and what should it be at?ĭigital metering is typically peak reading and relative to full scale or overload. It's there in all the modes except RMS mode. Its absolute value gets added to the VU meter, and tops out at +0, hence when the VU meter is lowest. Both of these have visual resizing and were low price which was key.)
QUIZTONES OSX KVR FREE
Another free meter plugin is mVmeter, but it seems to have some CPU issues when changing graphics or resizing. (reason for that: I thought I could let people speaking into microphones see the meters themselves, and use an app to extend my desktop to an iPad, then move the meters to that. I just bought the (cheap) Klanghelm VU meter plugin. This unit had a built-in audio interface, and the recordings looked a lot more dynamic than what I get from the Mackie (flat when silent, peak when I strum hard, etc).įairly new here. I'm sure I must have set something wrong - but what? I used to have a Line 6 Firehawk FX for my effects & amp sims. If I turn the gain up, the signal is wider, but not with a lot more dynamics, and the sound starts to get fizzy. There is sound being recorded - it just looks flat. I have been trying to record this for a while, but at Unity Gain on the Mackie the signal looks almost flat. The signal chain is guitar -> Zoom -> DAW. Mackie Onyx Blackjack for my audio interface Īudio Technica M50x to monitor (plugged into headphone out of the Mackie) It's typically a 48V DC voltage.ĭisclaimer: I am very, very uneducated when it comes to recording. Condenser mics have active electronics in them that need this supply voltage to work. Most preamps can also provide "phantom power", which is hd other gear like active DI boxes) are powered. You can send it over long cable runs without picking up too much noise. The advantage of line level is that it is way stronger than mic level (or instrument level). You use a preamp to get your mic level signal up to line level. But: Since we use lots of other audio gear, there is a reference level that all this gear runs at. So you need some kind of amplifier inbetween that can drive the speaker. If you do this with a dynamic mic, you would actually hear a very faint sound. So you can't just take a microphone, hook it up directly to an unpowered speaker and expect to hear a signal loud and clear. The voltage swing is small and they can't drive any notable current into a receiving gear. Microphones output very low level signals.
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